SHERLOCK REWATCH: SERIES ONE, EPISODE ONE: “A STUDY IN PINK”
Necessary Note: I’m sure most of the people reading this are familiar
with the idea that fans must be the most critical of the works they love, but
just in case, let me just say that I do enjoy Sherlock. But this blog’s purpose is not to fangasm but
critically analyze the representation of women in works I’m a fan of. And… I think we all know where this is
headed.
Sherlock Holmes and John Watson meet, decide to share a
flat, and solve serial murders together all in the span of a couple days.
Sherlock: 1x01: “A Study in Pink” Written by Steven Moffat
The Summary:
In contemporary London, a bunch of people are killing
themselves for no apparent reason and in the exact same way. Meanwhile, Dr. John Watson has come back from
war with a limp and no means of supporting himself. His therapist wants him to write everything
that happens to him in a blog as a means of readjusting to civilian life. While walking through town, he meets an old
friend from Barts (St. Bartholomew’s Hospital) who he tells of his need for a
flat-share. Said friend had just spoken to
another friend looking for a flat-share, and so John is introduced to Sherlock
Holmes who has been using the Barts morgue and labs as his own and has been
completely ignoring the attempts at flirting from Molly Hooper, who he cruelly
cuts down with commentary on her appearance. Sherlock automatically deduces everything about
John immediately (except the gender of his sibling) and decides they must
become roommates at 221B Baker Street.
After knowing each other for approximately two seconds, Sherlock invites
John to come with him to a crime scene and John accepts. Sherlock’s a dick, but knows his shit and
realizes the woman did not kill herself but was murdered due to the lack of a cellphone
or suitcase (she had obviously been travelling). After Sherlock runs off without John, he’s
forced to walk home, but ends up getting a ride and a bribe attempt from
Mycroft (who introduces himself only as Sherlock’s archenemy). Meanwhile, Sherlock quickly finds the suitcase
(but not the phone) and keeps it from the police. Then, he gets John to send a text to the
victim’s phone which the killer has; this is in order to lure the killer to a
place which Sherlock determined, but why he thought the killer would appear there
is not completely clear. Sherlock and
John then chase a cab across the whole city, thinking the passenger is the
killer, by taking back streets to cut it off, again why Sherlock thought he
knew where the cab was going is unclear – but hey! It’s Sherlock and he was
right! The passenger was not the killer,
so Sherlock and John head back home only to find a warrant being executed on
it. Lestrade is using this drugs bust in
order to bully Sherlock into being cooperative but this fails since Sherlock
realizes the cabbie Mrs. Hudson says is downstairs for him is the real
killer. Sherlock goes with the cabbie to
a school of some kind (something like a continuing education/community college in
the US, right?) because the cabbie says that if Sherlock calls the police that
he’ll never find out how the cabbie convinced a bunch of people to kill
themselves. The cabbie uses a gun to
pressure Sherlock into “playing the game” which is guess which pill is the
placebo and which is the poison.
Sherlock knows the gun is fake, but decides to play the game anyway in
order to sate his ego. Just as he is
about to take the poison (or the placebo, who knows?), a wild John Watson
appears! John Watson uses perfect kill
shot through two windows and across a courtyard! It’s super effective! Sherlock didn’t see the person who killed the
killer, but as he is describing what the person must be like to Lestrade, he
realizes it must be John and shuts up to protect him, retracting everything he
had already said. John and Sherlock ride
off into the sunset together (note this last bit does not actually happen. To the chagrin of Johnlock shippers
everywhere).
The Women:
Molly Hooper, Mrs. Hudson, Sgt. Sally Donovan
Dead Women
with No Lines: Beth Davenport, Jennifer Wilson
The Conversations:
Two women aren’t even in the same scene together…
The Tally:
Episode 1x01 Total: 0
Series 1 Total: 0
Program Total: 0
For Further Discussion: Sherlock Interacts with Women: The
Hecate Sisters
"The Hecate Sisters" is a trope that divides women into the
Virgin, the Mother, and the Bitch (or Whore when married with the "Three Faces of Eve").
Sherlock Interacts with Molly Hooper (Virgin): Despite how horrifically Sherlock treats
Molly, she’s hopelessly infatuated with him.
She’s shy but she puts herself out there and he treats her like a maid. (And before anyone tries to defend Sherlock’s
actions as not understanding that she is attracted to him or flirting with him,
let me remind you that he flirts with her the very next episode in order to
manipulate her into doing something for him.)
Sherlock Interacts with Mrs. Hudson (Mother): Mrs. Hudson is Sherlock’s (and John’s)
landlady, and she’s very sweet to both of them, which is lovely in and of
itself – she’s a lovely lady. My problem
isn't with the fact that she owes Sherlock a debt for his work on her murderous
husband’s case; people are allowed to be thankful to other people, including
women to men. My problem is this scene
that keeps happening:
Mrs. Hudson: “Not your housekeeper.” *Proceeds to clean or cook or make tea for
the “boys” because they’re not grown ass men who can do it themselves*
Sherlock Interacts with Sgt. Sally Donovan
(Bitch/Whore): Sgt. Donovan is the only
woman of color (person of color in general) and police officer on Lestrade’s
team, so it isn't surprising (so unfortunately) that she is immediately
villainized (for the simple fact that she is one of two people who don’t fawn
over Sherlock) and sexualized (for her affair with Anderson). What’s the insult Sherlock levels at
her? Oh right, he could tell she was “cleaning”
by “the state of her knees.” Because wittiness makes misogyny ok.
No comments:
Post a Comment